Resources

Top Tips from our Editor Karen


 

 

 

1.  Work out your plot before you start writing. Some authors maintain that their books have a life of their own and they don’t have to plot in advance. For the rest of us mere mortals, it’s a big help to know what’s going to happen before we start writing. If we don’t, we run the risk of stalling half way through because we’ve written ourselves into a corner.

 

2.  Remember that your readers only know what you tell them – they are not psychic. Give them clues and teasers about what’s going to happen but don’t make these so obscure that your audience will miss them. When you reread your work, try to see it from the point of view of someone who has never met your characters before. Is your meaning clear? The fastest way to put a reader off is to confuse them!

 

3.  Develop a time line. Put events in chronological order so that you know when they happen – then draw up a chart that shows how these events fit together and pin it up in front of your desk. This is particularly useful if your novel moves backwards and forwards in time, or if it involves a lot of characters. The way that you sequence events for your readers is up to you – maybe you have action in different places happening at the same time, maybe your central character has flashbacks – but you need to make sure that the sequence is clear and your audience don’t lose the plot.

 

4.   Create character files. You need to know your main characters as well as you know your own family if they’re going to become real people on the page. What do they look like? What are their likes/dislikes? What is their history? What do they read/eat/do in their spare time? Start by listing factual information about each character. Add to your dossier by ‘interviewing’ them and noting down what other characters in your book think about them. Include pictures of real people they resemble and places they frequent. (Note to self: not all heroes look like George Clooney however much I might want to have his pictures plastered all over my office wall.) Try to get as much information as you can together before you start your novel and keep referring back to the files.

 

5.  Write every day. Even when you’re busy, even when the self-doubt monkey is sitting on your shoulder telling you that you should take up knitting rather than spend any more time on this writing business, put a few words down on the page. All writers have good days and bad days; the professionals know that however grim you feel, you have to persevere.

 

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As you probably know, blogging and Social Media have become very significant ways to spread the word about new publications, upcoming writing projects, latest innovations in audio and ebooks and other related issues.  At 2QT we are always looking for ways to support our authors in all aspects of publication and now we can harness the power of the internet in our new Social Media Marketing package (SMMP). 

Facebook-Twitter

We will be able to market authors work, book signings, promotions and special offers via Twitter @2QTLtd and Face Book 2QT Publishing  We will promote to a wide audience, ensuring exposure to potential readers and the buying market.  Also included in this package is a 2QT Author Interview to be posted on our blog, giving writers the chance to tell the audience more about their book and themselves.

Zoe at 2QT Book Fair

We’re delighted to announce that Zoë Dawes will be managing the SMMP via Twitter, Face Book and interviews.  You may have already come across Zoë via her popular travel blog The Quirky Traveller or the TQT Travel Notes Journal which we published in April 2011.  She works for 2QT as a specialist editor and is helping to organise 2QT workshops and events in 2012.  One of the things she is most looking forward to is, “Telling the world about the great publications that our authors have written and to shout about the exciting works we will be publishing in the coming year.”   You can follow her on Twitter @quirkytraveller and Face Book where she seems to spend a lot of time!

So, to find out more about how we can help you to market your work in a simple, cost-effective way using the latest Social Media technology, contact us here.

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eBooks

We have had a number of enquiries about eBooks so we did some homework and looked at the marketplace for a good distributor who was willing to work with us. As many of you will already know there is an array of software packages to convert your book as well as companies who offer this service – some very good, some not. We wanted to be able to offer an alternative option for those with a limited budget as well as those authors who have a physical title but want to increase their routes to market. Most important of all we wanted to maintain the quality that we strive for with all our products and services.

As we have discovered, getting your eBook to as wide an audience as possible is proving to be quite a hot topic for debate between the retailers, publishers and Nielsen’s (who issue ISBNs).  So what we have decided is to sign up with an experienced distributor who specialise in digital production and distribution to work with us. The service will include all our publishing services for our physical titles but instead of printing we will convert of your book to a number of different digital formats to accommodate the variety of platforms currently available, including Kindle and iTunes Apps

Our distributors have access to all the major retailers of eBooks and of course with Amazon’s new Kindle Store we will be on there too!

For as little as £250 you could have your book converted to a eBook – and it could be up and out there for sale in weeks rather than months.

Coming soon… An interview about eBooks where we hope it will dis-spell some of the myths and mis-information that’s out there.

If you are interested in finding how your book can be converted to an eBook then please do get in touch for an informal chat (that means no hard sell on the end of the phone!)

AudioBooks

2QT now have three Audiobooks – and more on the way.  We take a lot of pride in the production of our Audiobooks and we know that you will hear the difference.  Working with a producer who shares our approach and is as passionate about audio as we are about books! We will manage the reader, scripting, recording, production and editing, artwork and publication aspects for you.

Along with our Distributor we now have a greater ability to increase our routes to market and are looking forward to developing this service for authors and writers.

See our Q&A Article on AudioBooks

*Note: If you are using our eBook service please be aware that unlike our other services there is a contractual agreement between us and the Distributor that you will need to sign up to. Only eBooks published through 2QT will be eligible to use this service.
Royalties apply.
AudioBook products will have the option to sign up for Distribution service.
Please do not be put off by this – we would be happy to answer any queries and clarify any concerns. For more details please contact us.

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Interview Q&A with Lee Pritchard, MediaMusicNow

Since having our first AudioBook – The Siege of Scarn – published and with another one about to be released, we have had a number of enquiries from authors about making their books into AudioBooks.

So who better to ask than the man who produces our AudioBooks, Lee Pritchard of MediaMusicNow.

We put to Lee some of the questions we have been asked about AudioBooks and here is what he had to say.

Our thanks to Lee for his time.


What’s involved in the production?
Audio Book production involves working with reliable and professional voiceovers to get a good raw recording of a book. As an audio producer it is vital for us to get a good clean recording so that we can produce the best edit and production.

Once the voiceover has recorded the raw audio, we edit it by first removing any breaths that can be heard, any clicks, pops and intrusive saliva noises (yuk!). At this stage, it is also good to reduce or increase gaps where necessary to alter the flow and pace of the book. It is quite usual to have to tighten the flow by removing fractions of time in between sentences, paragraphs and even words. As humans, we seem to be able to listen faster than we read.

Once the raw files have been edited, the production process involves EQ’ing, which alters the tonal balance of the audio so that it is clear. In some cases, the EQ’ing process can add additional power to the narration.

Additionally, a good audio producer should use a variety of processing techniques to balance out the audio volume, known as compression, gating and limiting. This processing makes the quiet sections of the book louder and blends the loud bits to make them quieter. The overall effect is to create a balanced and rounded sound.

Although audio editing software is widely available, using the correct speakers and working in a suitable listening environment is very important. Good audio production is a skill of judgment that can take years to perfect.

Who supplies the reader/voiceover and how is that managed?
Media Music Now has a number of reliable voiceovers to record audio books, however, if the client has a specific voice style in mind, we are open to sourcing new voices to suit their requirements.

Any new voiceovers are interviewed and required to provide a custom demo before I consider working with them. Audio books are long projects and you need the right people involved in order to achieve successful results.

Can I read my own book?
If you feel strongly about reading your own book, then yes you can, but, I would probably advise against reading a large book yourself as this can easily run into many days / weeks of recording. It is usually more feasible to record your own book if it is short or a section from your book such as an introduction from the author. We do have a location recording service, so we can record you if you are local to the Northwest region of the UK.

However, a professional voiceover will always do a better job as they are accustomed to the techniques required for long narrations. Also, a good voiceover will have developed their own reading style and microphone technique that can take years of practice.

How much will it cost for the production and how do you cost it / what’s included and who pays the reader?
The production cost can vary considerably depending on the size of the book and the experience and profile of the reader recording it. For example, a newly professional voiceover will cost significantly less than a well-known actor.
A second consideration is the cost of editing and production. If you want a cheaper product you could skimp on the editing, however, a fully edited and produced audio book will sound far superior in comparison.

At Media Music Now, we only take on projects where a high standard of production is required. We keep prices competitive and the quality high by working with voiceovers who have their own recording studio and use our own private studio to do the editing and production. This maximizes the productivity as we can be editing part of the book while the voiceover is recording the next section.

As a ballpark, our production costs range from £500 – £800 per produced hour of audio book. We produce a detailed quote with a breakdown of the costs and staged payments upon deliverables. This includes payment of all music licenses, the voiceover and project managing the production schedule.

How involved can I be as the author?
It is your book, you can be as involved as much as you like. If you want to make suggestions, we are happy to listen and see what we can do. We actually value your feedback and request that you proof listen to the book to make sure you are happy with the result. If there are any problems we are happy to sort them out for you.

Who owns the copyright (Producer/reader/author)?
Everyone owns part of the copyright. For example, when music is used in the introduction of chapters this will be licensed to the client and can be used in the product even though the composer of the music still owns the copyright(s).

It is the same with all aspects of the production, even though the individuals concerned have all expressed permission (in the form of a license) for their content to be used i.e. music, voiceover, manuscript, the copyright still remains with them.

How long will my AudioBook be?
This is difficult to calculate as it depends on the number of words and the speed of the produced narration. We have calculators to estimate this, but it is only an approximation. If necessary, we can produce a tighter edit to fit into a specified duration.

How long does it take to produce?
Depending on workload and book size this can vary from a few weeks to a few months.

What format will I receive it in / how do I receive it?
We produce it as a 32bit audio file and can produce it as high as 96bit, however, there are no commercial CD players that can achieve this level of quality and therefore we downgrade the audio to CD quality (16bit).  Additionally, we can produce it into numerous other formats such as mp3 for personal audio players or CD audio for CD duplication.

Your audio can be sent to you on Audio CD or CD/DVD ROM or as a download using our file transfer service.

Will I be able to sell a download from my website?
Yes, you will be able to sell your audio book as a download from your website, however, the technical infrastructure for hosting and selling large audio files is still relatively expensive and you will require the services of a web programmer. As a business that already sells music downloads, we are currently looking into the feasibility of developing an audio book download platform.

What kind of quality can I expect?
Our AudioBook production quality is much higher than many commercially available audio books  in the marketplace. I have heard our productions compared to the BBC, which I think is high praise indeed.

Why not decide for yourself

The Siege of Scarn – Sample 1

Thanks Lee – if you have any other questions about audiobook production then you can contact Lee by visiting http://www.mediamusicnow.com

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